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It is the distinctive nature of wood that inspires my work. Each creation is original and unique.  I craft my pieces from layered wood that I shape by carving, grinding, and sanding. 

These techniques are inspired by nature’s constant sculpting of the desert terrain in which I live.  Dramatic river beds, canyons, mountains, and rock formations spark ideas and are inspiration for my sculpture, chairs, and vessels.

Craftsmanship is as important as design.  Using skills honed over years of experience, my designs reflect a process of uncovering the form hidden within the wood.  I accentuate the organic form by using the parallel lines of the layered wood.  Every finish is natural. I use no dyes or stains.  

Fine sanding and clear finishes are used to bring out the natural beauty and color of the wood grain.   I use multiple types of wood in many of the pieces.  At times I combine rare and exotic woods with common woods.  Above all, I strive to make beautiful forms that are intriguing to the senses and evocative to the mind.

I sell directly to the customer. I like to work with the client, get to know them and what they like.  Then I design the work with their input. I make the pieces in the studio and ship them to the customer.  

The process  

All of my work is sculptural, even my furniture.  I build up layers of wood to create the mass I need, then carve, grind, and sand until I achieve the shape I want.  If it is a piece of furniture, the final shape should be functional, that is, it should be able to be used as chair or table. My furniture has no joinery such as mitered joints, mortise and tenons, or dovetails. It is almost entirely stack lamination.

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From where do ideas for pieces come?  

The truth is I usually never know exactly. Of course they come from who I am, where I have been and what I have seen and experienced. I have traveled in various parts of the world and lived in Africa for two years. Since I grew up and lived most of my life in the southwest United States, the desert environment is very much a part of my psyche.  

I am influenced by the way nature carves, grinds and sands the earth with wind and water. I imagine rocks shaped into smooth stones by rain water wearing away the soft parts of the earth to create beautiful canyons. I think about the wind blowing sand against mountain sides and canyons walls to create beautiful forms in the earth and rocks. The way I cut into, grind and sand pieces of wood to make sculptural forms reflects these natural processes.

Some of Kerry's credentials (click or tap to view)

I have the good fortune to be married to the most wonderful supportive person an artist could ever dream of. 

From the beginning of my career in the mid 1970’s she has been emotionally, and at times, financially supportive. Unlike the spouses of some artists I have known, Joyce likes my artwork.  Since our marriage in 1972, while pursuing her own career, she assisted me in innumerable ways, from business organization and design ideas to suggesting titles for bowls, chairs, and sculpture.  

Throughout the years I was exhibiting at shows, Joyce travelled with me across the country from Baltimore to San Francisco, keeping track of sales and inventory, helping with the physical work of setting up and taking down the display, and dealing with customers. I stopped doing craft and fine art shows in 2014, (much to her delight) and work entirely with art consultants and private collectors. She continues to be my moral support.  

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  • NICHE Awards Competition, Finalist in Wood-Carved category, Philadelphia, PA

  • Juror’s Award, 32nd Annual Contemporary Crafts, Mesa Art Center, Mesa, AZ

  • Juror’s Award, Arizona Desigher Craftsmen, Arizona State University

  • NICHE Awards Competition, Winner in Wood-Carved category, Philadelphia, PA

  • Arbortech Industries Carving Competition, First Place Award, Australia

  • NICHE Awards Competition, Finalist in Wood-Carved category, Philadelphia, PA

  • Professional Development Grant, Arizona Commission on the Arts

  • Juror’s Award, Arizona Designer Craftsmen, Juried Exhibition, Arizona State University

  • Juried Exhibition First Place, Sculpture, Carlsbad Area Arts Association, Carlsbad, NM

  • American Art Heritage Award, Wood-in-Art Competition, Arizona State University

  • Thematic Woodworking Exhibition, Wharton Esherick Museum, Paoli, PA
  • Two-person Exhibition, FBCS Gallery, Scottsdale, AZ 2010
  • Alive, a multi-media Exhibition, Shemer Art Center & Museum, Phoenix, AZ
  • Marin Art Festival, San Rafael, CA
  • Sausalito Art Festival, Sausalito, CA
  • Arizona Designer Craftsmen, Juried Exhibition, Mesa Arts Center, AZ
  • Sausalito Art Festival, Sausalito, CA
  • Philadelphia Museum Craft Show, Philadelphia, PA
  • American Craft Council Show, San Francisco, CA
  • Sausalito Art Festival, Sausalito, CA
  • Arizona Designer Craftsmen, Juried Exhibition, Arizona State University
  • Philadelphia Museum Craft Show, Philadelphia, PA
  • American Craft Council Show,Baltimore, MD
  • American Craft Council Show, San Francisco, CA
  • Sausalito Art Festival, Sausalito, CA
  • Biennial Southwest, Albuquerque Museum,Albuquerque, NM
  • American Craft Council Show, San Francisco, CA
  • Makin Furniture +, Invitational Exhibition, Chandler Center for the Arts, Chandler, Arizona
  • 27th Annual Contemporary Crafts, Mesa Arts Center, Mesa, Arizona
  • American Craft Council Show, Baltimore, Maryland
  • American Craft Council Show, San Francisco, CA
  • Glass, Metal, Wood, Invitational Show, Phoenix Airport Museum, Phoenix, AZ
  • Wood From the Hood, Invitational Exhibition, West Valley Art Museum, Surprise, Arizona
  • Makin Furniture +, Invitational Exhibition, Chandler Center for the Arts, Chandler , Arizona
  • Faculty Exhibition, Arrowmont School of Arts & Crafts, Gatlinburg, Tennessee
  • Philadelphia Furniture & Furnishings Show, Philadelphia, PA
  • Two person exhibition, Victoria Boyce Gallery, Tucson, AZ
  • Philadelphia Furniture & Furnishings Show, Philadelphia, PA
  • Chair Show 4, Southern Highlands Craft Guild, Asheville, North Carolina
  • The Birthday Party, an Installation in Celebration of Wood Turning and Studio furniture, Brand Library Art Galleries, Glendale, California
  • Above and Beyond, Phoenix Sky Harbor International Airport, Phoenix, AZ
  • Makin Furniture +, Juried Exhibition, Chandler Center for the Arts, Chandler, Arizona
  • Chair Show 3, Southern Highlands Craft Guild, Asheville, North Carolina
  • Furniture 99, Juried Exhibition, Furniture Society Conference, Smithville, Tennessee
  • ’99 Arizona Biennial, Tucson Museum of Art, Tucson, Arizona
  • Rings of Time, Invitational Exhibition, West Valley Art Museum, Phoenix, AZ
  • NICHE Awards Exhibition, Pennsylvania Convention Center, Philadelphia, PA
  • ’97 Arizona Biennial, Tucson Museum of Art, Tucson, Arizona
  • White House Christmas Tree, Invitational, Washington, D.C.
  • North American Sculpture Exhibition, Foothills Art Center, Golden Colorado
  • One-person Exhibition, Gallimaufry Gallery, Croton-on-Hudson, New York
  • Wichita National Exhibition, Juried Exhibition, Wichita Art Association, Wichita, Kansas
  • Form and Figure: Contemporary Sculpture, Juried Exhibition, Tempe Arts Center
  • The Shape of Things, Invitational Exhibition, Shemer Art Center, Phoenix, AZ
  • One-person Exhibition, Arizona State Capitol, Phoenix, Arizona
  • Corporate Exhibition, VantageGallery, Ithaca, New York
  • Two-Person Exhibition, Fine Arts Center of Tempe, Tempe, Arizona
  • Altered States, Juried Exhibition, Galeria Mesa, Mesa, Arizona
  • Juried Exhibition, Coos Art Museum, Coos Bay, Oregon
  • Juried Exhibition, Carlsbad Area Arts Association, Carlsbad, New Mexico
  • Wood in Art,Second Annual Competition, Arizona State University
  • Skyline Art Services, Houston, TX
  • Fresh Paint Art Advisors, Culver City, CA
  • PWI Construction, Las Vegas, NV
  • Sinot Exclusive Yacht Design, Amsterdam
  • eStudio Art Consultancy Pte Ltd, Singapore
  • Art Expressions, Gurne, IL
  • Art Initiative, Inc., Atlanta, GA
  • American Art Resources, Houston, TX
  • Fresh Paint Art Advisers, Inc., Culver City, CA
  • Congregation, Merkaz Ha-lyr, Phoenix, AZ
  • Congregation, NefreshSoul, Chandler, AZ
  • Jewish Historical Society, Phoenix, AZ
  • The Breast Center at The Women’s Hospital, Newburgh, IN
  • Art Force, Minneapolis, MN
  • Eaton Fine Art, Austin, TX
  • Faulkner+Locke, Inc., Atlanta, GA
  • Corderman Art Resources, LLC, Phoenix, AZ
  • SOHO Myriad, Atlanta, GA
  • Ritz Carlton Hotel, Phoenix, Arizona
  • Chatham Heart Center, Mesa, Arizona
  • The Westin Washington Dulles Airport, Herndon, Virginia
  • Wyndham Hotel, Phoenix, Arizona
  • Lord of Life Lutheran Church, Sun City West, Arizona
  • Interculture Art, Inc., for Odakyu Hotel, Tokyo, Japan
  • Scottsdale Memorial Hospital, Scottsdale, Arizona
  • Charles Schwab & Co, Inc., Phoenix, Arizona
  • City of Tempe, Public Library, Tempe, Arizona
  • Harris Trust Company of Phoenix, Arizona
  • Personal & Professional Dev. Inc., Scottsdale, AZ
  • Parish of St. Benedict, Chandler, Arizona
  • Temple Emmanuel, Tempe, Arizona
  • Prescott Samaritan Village, Prescott, Arizona

ORGANIZATION MEMBERSHIP

  • The Furniture Society
  • American Craft Association
  • Arizona Designer Craftsmen (State President: 1987-1991)

ART TEACHING EXPERIENCE

  • Arrowmont School of Arts and Crafts, Tennessee


ART TRAINING

  • Anderson Ranch Arts Center, Colorado
  • Arizona State University
  • Arrowmont School of Arts and Crafts, Tennessee

GENERAL EDUCATION

  • BA 1967, and MSW 1975, Arizona State University

PUBLICATIONS

  • Sculptural Bowls, by Kerry Vesper, Fine Woodworking, March/April 2016, The Taunton Press, Newtown, CT
  • 500 Tables, Lark Books, New York, 2009
  • The Sourcebook of Architectural & Interior Art 24, Guild, LLC, Madison, Wisconsin, 2009
  • 500 Chairs, Lark Books, New York, 2008
  • The Sourcebook of Architectural & Interior Art 20, Guild, LLC, Madison, Wisconsin, 2005
  • Furniture Studio 3, Furniture Makers Exploring Digital Technologies, The Fruniture Society, Asheville, NC, 2005
  • The Artful Home, Guild, LLC, Madison, Wisconsin, 2004
  • The Custom Furniture Source Book, The Taunton Press, 2001
  • American Craft, Gallery Section, Dec ’00/Jan ’01
  • American Style, Profile, Fall, 1998
  • Crafts Report, Front cover, April, 1997
  • Best Wood Boxes, Betterway Woodworking Books, Cincinnati, OH, 1997
  • Woodworker West, Profile, Los Angeles, CA, Jan 1996
  • American Craft, Gallery Section, February/March 1996
  • Sculpture: Technique, Form, Content, by Arthur Williams, Worcester, Massachusetts, 1995
  • American Craft, Gallery Section, January 1995
    Fine Woodworking Design Book 6, The Taunton Press, Newtown, Conn. 1992